Annual Index

Identifieur interne : 000127 ( Main/Exploration ); précédent : 000126; suivant : 000128

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Annual Index

Auteurs :

Source :

• Early Music [ 0306-1078 ] ; 2006.

RBID : ISTEX:928C484A96574C049C2759E53BF608DA07067FD5

English descriptors

• Entity :
  • org : Biennial International Conference, Duke University, Fodella Foundation, Levi Foundation, Marco Fodella Foundation, Portugal, Choir of the Queen, Yale University.
  • pers : A. Scarlatti, Alexander Agricola, Alexander Weimann, Aline Zylberajch, Alison McGillivray, Andrea Coen, Andreas Staier, Andrew Dell’Antonio, Andrew Johnstone, Andrew Manze, Andrew V. Jones, Anna Jones, Anna Tedesco, Anthony Rowland-Jones, Antonia Padonai, Antonio Severino, Arno Padurch, Barbara Sachs, Bob van Asperen, Book, Bradley Lehman, Brian Clark, Bruno Weil, C. P. E. Bach, C. Wegman, Carlos Martini, Carolyn Sampson, Catherine Gordon-Seifert, Cecilia Panti, Cedric Lee, Celine Frisch, Cervantes, Christine Schornsheim, Christoph Spering, Christoph Willibald, Christophe Rousset, Christopher Callahan, Christopher Hogwood, Christopher R. Wilson, Colin Muset, Craig Cramer, Crawford Young, D. S. Field, David Irving, David J. Smith, David Johnson, David Kidger, David Lasocki, David M. Guion, David McGuinness, David Schulenberg, David Trendell, David Wyn, Derek Adlam, Diego Canizzaro, Dinko, Domenico Scarlatti, Don Quixote, Dorothea Link, Douglas Hollick, Douglas Leedy, Duncan Druce, Edith Mathis, Edmund Batters, Edmund Bowles, Eleanor Selfridge-Field, Elisabeth Belgrano, Elisabeth Scholl, Elizabeth Farr, Elizabeth Roche, Elizabeth Wells, Elly Ameling, Enrico Baiano, Eric Cross, Erik Albertyn, Erik Ose, Ezra Pound, Fabrizio Dentice, Federico Guglielmo, Federico Maria, Filippo Di Monte, Florian Heyerick, Francesco Cera, Francesco Gasparini, Francesco Maria, Francesco Scarlatti, Francesco Tasini, Francis Knights, Geoffrey Burgess, George Frideric, Gerhard Schmidt-Gaden, Giorgio Tabacco, Giovanni Battista, Giovanni Coprario, Giulio Cesare, Glen Wilson, Graham Sadler, Gregory Barnett, Gustav Leonhardt, Hans-Martin Linde, Harald Vogel, Helen Geyer, Hendrik Schulze, Herve Niquet, Ian Payne, Ibo, Ivan Moody, J. D. Scott, Jacques Ogg, James Chater, James Johnstone, James Leve, James O’Donnell, Jan Baptist, Jan Pieterszoon, Jane Rogers, Jean Tubery, Jean-Claude Malgoire, Jeffrey Skidmore, Jeremy Barlow, Jeremy Montagu, Jeremy Smith, Jerome Hanta, Jesse Rodin, Jocelyne Cuiller, Johann Georg, Johann Nepomuk, Johann Paul, Johannes Koch, John Butt, John Eliot, John Griffiths, John Holloway, John Khouri, John Kitchen, John Milsom, John Morehen, John O’Donnell, John Paul, John Ward, Jonathan Wainwright, Joy Barker, Judith Nagley, Julian Rushton, Kay Johannsen, Kevin C. Karnes, Kevin Mallon, Kimberly Marshall, La Caccia, La Dauphine, La Fenice, La Hispanoflamenca, La Morra, La Venexia, La Venexiana, Lady Mass, Lars Ulrik, Leofranc Holford-Strevens, Leofranc HolfordStrevens, Leon Berben, Lewis Lockwood, Linda Nicholson, Lisa Colton, London Baroque, Lorenzo Candelaria, Lorraine Hunt, Lucas Harris, Lucie Skeaping, Lucy Robinson, Lucy van Dael, Luis Otavio, Mara Galassi, Marc Minkowski, Margaret Bent, Marie Therese, Mark Kroll, Mark Lindley, Mark Passion, Martin Kirnbauer, Matthew Halls, Max Emanuel, Max W. Wheeler, Micaela Comberti, Michael Noone, Michael Robertson, Michael Talbot, Michel Lambert, Michel-Richard Delalande, Monica Huggett, Music, Noel O’Regan, Owen Rees, Pamela Thorby, Paul Simmonds, Pavel Josef, Peter Branscombe, Peter Downey, Peter Holman, Peter Kopp, Peter Leech, Peter Walls, Peter van Heyghen, Philip Taylor, Philipp Emanuel, Philipp Friedrich, Philippe Herreweghe, Pierre Hanta, Pieter Dirksen, Rebecca Kan, Recording, Rene Jacobs, Richard Burnett, Richard Egarr, Richard Maunder, Richard Troeger, Rinaldo Alessandrini, Robert A. Green, Robert Kehew, Robert King, Roberto Giuliani, Roland Wilson, Ronald Woodley, Ruth I. DeFord, Ryan Brown, Samuel N. Rosenberg, Santa Maria, Sarah Connolly, Sebastian de Vivanco, Shirley Thompson, Simon McVeigh, Simon P. Keefe, Simon Standage, Solo Baroque, Stefano Molardi, Stephan van Dyck, Stephen Bullamore, Stephen Rice, Stephen Rose, Stephen Stubbs, Susan Alexander-Max, Suzanne Kaiser, Suzie Leblanc, Tess Knighton, Thomas Elias, Thomas McGeary, Tim Crawford, Timothy Roberts, Tito Manlio, Van Orden, W. D. Snodgrass, W. Dean, Wanda Landowska, Wilhelm Friedemann, William Christie, Wolfgang Amadeus, Wolfgang Osthoff, Zoe Saunders.
  • place : Amsterdam, Antwerp, Austria, Bolton, Buxtehude, Cambridge, Corsica, Foggia, France, Germany, Goldberg, Hanover, Italy, Japan, Leuven, Munich, Naples, Paris, Perugia, Poland, Portugal, Reims, Rome, Saarlouis, Santos, Spain, St Cecilia, Sweden, Toledo, Tournai, Turkey, Uppsala, Venice, Versailles, Vienna, Warsaw, Warwick.
• Teeft :
  • Agricola, Agricola conference, Alexander agricola, Analysing early french song, Anna jones, Anthony rooley, Antonio vivaldi, Antwerp conference, Art florissants, Bach, Baroque music, Beethoven violin sonata, Biennial, Biennial international conference, Boluda, Bradley lehman, Branscombe, Brian clark, Brief response, Briefe introduction, Burnett, Callahan rosenberg, Cambridge companion, Campion, Canonical study, Cantata, Cataloguing concerto, Chamber cantata, Christmas pastorellas, Chronological order, Cinque voci, Clive brown, Cluniac ecclesia, Colin muset, Collegium, Collegium aureum, Complete work, Concert series, Consort, Consort music, Coprario, Corr, Court suite, Courtly love song, Crawford young, David irving, David johnson, David trendell, David yearsley, Dean sutcliffe, Derek adlam, Diffinitorium musice, Dinko fabris, Domenico scarlatti, Dresden orchestra, Duben, Duben collection, Duke university conference, Early modern france, Early music november, Early year, Edmund bowles, Elizabeth roche, English chapel, English concerto, English treatise, Enraged musician, Erik albertyn, European court festival, Federico maria sardelli, Florian heyerick, Florissants, Flute, Flute consort, Forqueray piece, Francesco, Francis knight, Fugal rejuvenation, Geoffrey burgess, Geyer osthoff, Giovanni battista buonamente, Graham sadler, Haines, Handel, Handel opera, Hearing passion, Holman, Hopkinson smith, Iberian source, Imperial pleasure, Instrumental music, Intuitive syllable deployment, Italian solo concerto, Ivan moody, Jeremy, Johann, John butt, John haines, John irving, John kitchen, John milsom, Joye, Julian rushton, Karnes, Keyboard music, Kimberly marshall, Knighton, Landowska, Last elizabethan, Latcham, Leuven conference, Lorenzo candelaria, Lowland scottish pipe, Lucy robinson, Lully latin, Macclesfield psalter, Magnifique livre, Marco fodella foundation, Marie therese, Medieval france, Michael latcham, Michael noone, Michael robertson, Michael talbot, Modo antiquo, Mozart, Museum keyboard instrument catalogue, Musica, Musical dictionary, Musical instrument, Navarro, Neidhardt factor, Noone, November, Palomares, Paul simmonds, Paulo estudante, Performance practice, Pisendel, Polyphonic, Polyphonic music, Polyphonic sequence, Rachel barton pine, Recent approach, Regal handel, Renaissance flute, Revisiting atys, Richard burnett, Richard maunder, Ritornello dynamic, Robert king, Robert rawson, Roberto giuliani, Ronald woodley, Rosetta stone, Sadler, Scarlatti, Scarlatti family, Shirley thompson, Simmonds, Solo baroque, Stephen rice, Strange world, Talbot, Tassilo erhardt, Tess, Tess knighton, Thematic catalogue, Thomas mcgeary, Tito manlio, Toledo, Tolz knabenchor, Treatise, Trendell, Turkish military band, Understanding fortepiano, Venetian orphan, Venezianischen ospedali, Viennese court, Violin concerto, Virga jesse, Vulgate orecchie, Wanda landowska, Water music, William byrd, William christie, Yale university collegium musicum.

Url:

• https://api.istex.fr/ark:/67375/HXZ-1TFSBW34-K/fulltext.pdf

DOI: 10.1093/em/cal123

Affiliations:

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